3 March 2025, LONDON, UK – The live event industry is set to transform with the launch of the HELA (Healthy Ears, Limited Annoyance) Certification, the world’s first initiative aimed at promoting best practices for responsible sound management at live events. This groundbreaking resource, led by researchers within the Electro-Acoustics Research Lab (EARLab) at the University […]
“Enhanced Sound Level Monitoring at Live Events by Measuring Audio Program Loudness” by Jonathan Digby and Adam Hill explores a novel approach to sound level management by applying broadcast industry loudness metering to live event audio. This research presents a logical shift from traditional peak normalization to loudness normalization, enabling front-of-house engineers to achieve consistent, […]
Today we have “Sound Level Measurement, Monitoring and Management in Small Music Venues: Leq Averaging Time Interval” by Jos Mulder and Adam Hill in our paper spotlight. The paper addresses the critical issue of sound level management in live music environments, particularly focusing on the Leq time interval and its effects on dynamic range and […]
This week’s paper spotlight focuses on “Signal decorrelation for sound reinforcement system crossovers” by Adam Hill which delves into the application of diffuse signal processing to improve sound quality in live settings by addressing coherent interference issues. This paper is likely to be useful to audio professionals seeking an innovative solution for more consistent sound […]
In today’s paper spotlight, we have “A case study on practical live event sound exposure monitoring,” by Adam Hill, Ken Liston, Ian Wiggins, and Graham Naylor, introducing innovative strategies for real-time sound monitoring in music venues, aimed at reducing the risk of hearing damage for concert-goers while preserving the quality of live music experiences. This […]
This week we feature the paper, “The ICOSSA Project – An improved omnidirectional sound source for room acoustic testing,” by David Gilfillan, Glenn Leembruggen, and Adam Hill, which presents an interesting advancement in the field of room acoustics. This paper is relevant to acoustics professionals, sound engineers, and venue designers, as it introduces an innovative […]
In our spotlighted paper this week, “Towards a subjective quantification of noise annoyance due to outdoor events,” Charbel Hourani and Adam Hill explore the complex nature of noise annoyance and its impact on communities surrounding outdoor events. This innovative research is relevant to event organizers, policymakers, and community leaders, providing a novel approach to understanding […]
This week’s paper spotlight features “The effect of purported acoustically transparent materials on sound propagation” by Zsombor Szoke, Jon Burton, Adam Hill, and Mark Dring and provides an in-depth look at how materials used in stage designs, like LED walls and acoustic scrims, influence sound quality at live events. This research is of interest to […]
Bruce Wiggins, Associate Professor in Audio Engineering at the University of Derby, brings a rich blend of technical prowess and musical passion to his role. Hailing from Oakham, Bruce’s journey intertwined mathematics and music, leading him to Derby where he found an ideal fusion of diverse programs and exceptional faculty. With a focus on audio […]
This week we look at “Inaudibility criteria and alternative methods for controlling music noise levels from late night entertainment,” by James Gardner, Gareth Hance, and Adam Hill, which looks into the complex issue of managing noise from late-night venues without dampening the spirit of live entertainment. This paper is crucial for policymakers, venue owners, and […]