This week, we’re featuring Alexander Distelberger, a graduate of our BSc (Hons) Sound, Light and Live Event Technology programme. Now working as a Research and Development Engineer at Noctua in Vienna, Alexander’s career has evolved from a passion for live events to a deep interest in acoustics and programming. His time at Derby not only […]
This week’s graduate spotlight highlights Kaya Marks, a graduate from our BSc (Hons) Sound, Light, and Live Event Technology programme. Starting with an interest in sound engineering, Kaya’s career evolved into electronics and product development, and he now works as a Design Engineer at Seiche. His career in electronics spans various industries, including underwater acoustics, […]
This week’s graduate spotlight features Tom Bland, a graduate from our BSc (Hons) Sound, Light, and Live Event Technology programme. After starting with a passion for audio, Tom’s journey led him to a successful career in solutions engineering, including working on large-scale immersive audio installations and audio systems for global theme parks. His diverse skill […]
James Cook, a graduate of our BSc (Hons) Sound, Light and Live Event Technology programme, has built a successful career as a self-employed sound engineer and theatre sound designer. His journey from freelancing and working his way up in the theatre world to managing his own business, Warehouse Digital, reflects his adaptability and expertise. With […]
Toby Chevis, a graduate from our BSc (Hons) Sound, Light and Live Event Technology programme, has built a diverse career spanning event production, sound engineering, and product development. After realizing he thrived in practical, hands-on roles, Toby embraced a path that led him to run his own company, Patch Productions, providing sound and lighting for […]
Today we’re spotlighting “An investigation into the effect of sweat and moisture on the performance of in-ear monitors,” by Ross Gilmour, Jon Burton, and Adam Hill, which offers critical insights into an often-overlooked aspect of live performance technology – the effect of perspiration on in-ear monitors (IEMs). This study is a valuable resource for musicians, […]
This week’s paper spotlight features “The effect of purported acoustically transparent materials on sound propagation” by Zsombor Szoke, Jon Burton, Adam Hill, and Mark Dring and provides an in-depth look at how materials used in stage designs, like LED walls and acoustic scrims, influence sound quality at live events. This research is of interest to […]
Last week, members of the University of Derby Electro-Acoustics Research Lab (EARLab) traveled to Bristol for the 39th annual Institute of Acoustics Reproduced Sound conference. The conference represents the cutting edge of modern audio and acoustics and allows consultants, manufacturers, contractors, end users, academics, and students to mingle and share insights and information. There were […]
In a feature for CEO World Magazine, our Entertainment Engineering subject area was ranked 3rd best in the world and 1st within the UK (the only non-American university to make the list) for Entertainment Engineering courses. Our courses are built on a strong science and engineering foundation while drawing from numerous aspects of the arts […]
Earlier this summer marked the last day of work for Simon Lewis, founder and long-time programme leader of our BSc (Hons) Sound, Light and Live Event Technology course here at the University of Derby. Simon was central in the development and launch of the program in the late-1990s and expertly guided the course through many […]