Blog

Today we’re spotlighting “An investigation into the effect of sweat and moisture on the performance of in-ear monitors,” by Ross Gilmour, Jon Burton, and Adam Hill, which offers critical insights into an often-overlooked aspect of live performance technology – the effect of perspiration on in-ear monitors (IEMs). This study is a valuable resource for musicians...

Ben Simmonds, a graduate of Derby’s MSc Audio Engineering program, embarked on a journey of self-discovery and academic rigor. With a background in physics and music, Ben sought the challenge offered by Derby. Initially uncertain about his career path, the course instilled in him invaluable research skills and coding proficiency. Despite the upheaval caused by...

This week we feature the paper, “The ICOSSA Project – An improved omnidirectional sound source for room acoustic testing,” by David Gilfillan, Glenn Leembruggen, and Adam Hill, which presents an interesting advancement in the field of room acoustics. This paper is relevant to acoustics professionals, sound engineers, and venue designers, as it introduces an innovative...

Matt Galland, a graduate of Derby’s BSc (Hons) Sound, Light, and Live Event Technology program, thrives as a freelance audio engineer based in London. Originally from Preston, his journey epitomizes a practical passion for live events. Initially undecided, Matt found his calling in sound engineering during his studies. The course equipped him with vital technical...

In our spotlighted paper this week, “Towards a subjective quantification of noise annoyance due to outdoor events,” Charbel Hourani and Adam Hill explore the complex nature of noise annoyance and its impact on communities surrounding outdoor events. This innovative research is relevant to event organizers, policymakers, and community leaders, providing a novel approach to understanding...