Toby Chevis, a graduate from our BSc (Hons) Sound, Light and Live Event Technology programme, has built a diverse career spanning event production, sound engineering, and product development. After realizing he thrived in practical, hands-on roles, Toby embraced a path that led him to run his own company, Patch Productions, providing sound and lighting for […]
“A Subjective Comparison of Virtual Stereo Microphone Techniques for Rendering Ambisonics” by Anantha Girijavallabhanand and Bruce Wiggins explores how different stereo microphone techniques can be virtually extracted from Ambisonic recordings, comparing their effectiveness for stereo reproduction. This study is valuable for audio professionals and enthusiasts interested in 3D audio and immersive sound, offering insights into […]
“Enhanced Sound Level Monitoring at Live Events by Measuring Audio Program Loudness” by Jonathan Digby and Adam Hill explores a novel approach to sound level management by applying broadcast industry loudness metering to live event audio. This research presents a logical shift from traditional peak normalization to loudness normalization, enabling front-of-house engineers to achieve consistent, […]
Matthew Russell, a graduate of our MSc Audio Engineering programme, has built a diverse and impressive career in the theatre industry. After gaining years of experience as a Lead Production Sound Engineer, Matthew’s time at Derby helped refine his expertise in audio theory, subwoofer placement, and line arrays. Although his career trajectory shifted slightly after […]
David Imrie, a graduate from Derby’s BSc (Hons) Sound, Light, and Live Event Technology program, chose Derby for its strong engineering focus, influenced by a former boss who was a Derby graduate. Throughout his studies, his confidence grew, and he acquired a diverse skill set encompassing problem-solving, electro-acoustics, and more. Surprisingly, he developed a newfound […]
Today we’re spotlighting “An investigation into the effect of sweat and moisture on the performance of in-ear monitors,” by Ross Gilmour, Jon Burton, and Adam Hill, which offers critical insights into an often-overlooked aspect of live performance technology – the effect of perspiration on in-ear monitors (IEMs). This study is a valuable resource for musicians, […]
Ben Simmonds, a graduate of Derby’s MSc Audio Engineering program, embarked on a journey of self-discovery and academic rigor. With a background in physics and music, Ben sought the challenge offered by Derby. Initially uncertain about his career path, the course instilled in him invaluable research skills and coding proficiency. Despite the upheaval caused by […]
Matt Galland, a graduate of Derby’s BSc (Hons) Sound, Light, and Live Event Technology program, thrives as a freelance audio engineer based in London. Originally from Preston, his journey epitomizes a practical passion for live events. Initially undecided, Matt found his calling in sound engineering during his studies. The course equipped him with vital technical […]
In our spotlighted paper this week, “Towards a subjective quantification of noise annoyance due to outdoor events,” Charbel Hourani and Adam Hill explore the complex nature of noise annoyance and its impact on communities surrounding outdoor events. This innovative research is relevant to event organizers, policymakers, and community leaders, providing a novel approach to understanding […]
Sunghoon Moon, a standout graduate of the University of Derby’s MSc Audio Engineering program, has journeyed from Seoul, South Korea, to Eindhoven, The Netherlands, excelling as a Software Developer at Sorama. His decision to pursue his master’s at Derby was influenced by the diverse curriculum options and the allure of the location. Initially drawn to […]