Blog

Oscar Ortega Garduño, a MSc Audio Engineering graduate, has transitioned from studying electronics and telecommunication engineering to making a significant impact in the audio industry. His focus on audio electronics and real-time processing led him to roles at Music Tribe, where he contributed to the Behringer Synth Suite Bundle, and currently at KEF as a...

Toby Chevis, a graduate from our BSc (Hons) Sound, Light and Live Event Technology programme, has built a diverse career spanning event production, sound engineering, and product development. After realizing he thrived in practical, hands-on roles, Toby embraced a path that led him to run his own company, Patch Productions, providing sound and lighting for...

3 March 2025, LONDON, UK – The live event industry is set to transform with the launch of the HELA (Healthy Ears, Limited Annoyance) Certification, the world’s first initiative aimed at promoting best practices for responsible sound management at live events. This groundbreaking resource, led by researchers within the Electro-Acoustics Research Lab (EARLab) at the University...

“A Subjective Comparison of Virtual Stereo Microphone Techniques for Rendering Ambisonics” by Anantha Girijavallabhanand and Bruce Wiggins explores how different stereo microphone techniques can be virtually extracted from Ambisonic recordings, comparing their effectiveness for stereo reproduction. This study is valuable for audio professionals and enthusiasts interested in 3D audio and immersive sound, offering insights into...

“Enhanced Sound Level Monitoring at Live Events by Measuring Audio Program Loudness” by Jonathan Digby and Adam Hill explores a novel approach to sound level management by applying broadcast industry loudness metering to live event audio. This research presents a logical shift from traditional peak normalization to loudness normalization, enabling front-of-house engineers to achieve consistent...