This week we spotlight “The influence of audience participatory noise on sound levels at live events,” by Marcel Kok, Adam Hill, Jon Burton, and Jos Mulder, which sheds light on the significant impact that audience participatory noise, such as cheering and clapping, has on sound levels at live music events. This research is a must-read for anyone involved in the live event industry, highlighting the need for comprehensive sound management strategies that appreciate the impact of audience-generated noise.
What is the title of the paper?
The influence of audience participatory noise on sound levels at live events
What is the paper about?
The paper delves into the dynamics of audience-generated noise, such as cheering and clapping, and its impact on overall sound levels during live music events. Through analyzing data collected from various large-scale events, it assesses how such participatory noise can affect compliance with imposed sound level limits, offering further insights into effective sound level management.
Why should people be interested in this work?
This research is crucial for a broad spectrum of stakeholders in the live event industry, including event organizers, sound engineers, public health officials, and policy-makers. It underscores the necessity of considering audience noise in the context of event sound levels. The findings highlight that an audience can cause the average sound level of an event to rise by nearly 2 dBA, which may impact compliance with imposed sound level limits.
What’s the full citation for the paper?
Kok, Marcel, Adam Hill, Jon Burton, and Jos Mulder. “The influence of audience participatory noise on sound levels at live events.” In INTER-NOISE and NOISE-CON Congress and Conference Proceedings, vol. 265, no. 6, pp. 1947-1954. Institute of Noise Control Engineering, 2023.
Where can the paper be accessed online?